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La Liga, one point

Once again, the club has managed to win the Derby easily. Espanyol created danger and allowed just a game very comfortable and uncomplicated. With The victory kept the eight-point lead and now the club depends upon himself for league. A draw at the Ciutat de Valencia Barca serve to receive the title next weekend's visit to Camp Sports Nou.

The game started quite calmly, safely and highlight errors or anything. These were the first twenty minutes. a bore, for denying it. But in reality what happened is that the club was making what would be the work of art that was the first goal of the game. Before, Iniesta and Peter warned two shots on goal Kameni. The manchego would be the one, the half-hour, open the can. A rally of more than two minutes in which the team touches the ball ends up in a duel between Don Andrés, the goalkeeper from Cameroon and the first goal of the evening. Things started out pretty well and the differences could be extended if Villa had not missed a one on one with goalkeeper parakeet when the easiest thing to put the ball into the goal.

In the second half, Barca came to close the game from the first minute of play. Pedro had the first chance but Kameni sent the ball for a corner. Xavi put from the left and Pique, perfect, we won the game to their rival to head the ball into goal and sentence and the match. Without having virtually nothing at stake, they became involved in playing it cool. Osvaldo had sufficient opportunity not only to reduce the gap but also to turn around the marker. And in the final minutes the only thing that one might mention a standing ovation that has become a lead Abidal, who has played the last twenty minutes of play. Another great proof that the French may be for ninety minutes at Wembley.

SHEET ALIGNMENT

: Valdés, Alves, Mascherano, Piqué, Abidal Font min. 71 -, Xavi, Keita min. 89 -, Busquets, Iniesta, Pedro, Afellay min. 82 - Villa and Peter.

CARDS: Yellow for Peter.

GOALS: 1-0 29 'Iniesta, 2-0 48' Piqué.

STADIUM: Camp Nou. 89,944 spectators.

POST-PARTY CLAIMS :

"If we had not won the league would have been opened." Pep Guardiola.

Pressure Points For Periods

Monsters, Inc.: The expression above all

(attention, this analysis contains "spoiler" on the end of the movie "Monsters Inc." Pixar)

are so many different nuances involved in the enjoyment of a film, which is very difficult to rank them in order of importance: history, assembly, interpretation, rhythm, planning, the characters, the script. All part of the same. All involved, all influence.

But there is something so intangible, so ethereal, as elusive as it is an expression, and can get to say much, which invariably is linked to those aspects that can we get a story when we see it.

arose the other day, among friends, "and rightly so passionate defense and admiration for the work of Natalie Portman in" Black Swan. "

The variety of shades, registration, changes, inflections, tones included within a single face are absolutely captivating.

If they say a picture is worth a thousand words, why not be the expression of a face.

in animation is exactly the same phenomenon.

Without going into the bogus debate on whether the actors in three dimensions replace the flesh and blood, it is true that the animation (either 2D or 3D Stop-motion) has lived and lives on the expressiveness of his characters.

And, understanding and assuming their unreality, the transmission capacity that have not detract in the slightest.

Many of these thoughts come to my head and remembering the awesome grand finale of this work of art once again Pixar-made film that is "Monsters, Inc. ."

capacity suggestion, ecstasy, majesty, which leads to close this film with a touching expression is simply priceless.

And there is more.

insist that is the end of the film.

We experienced all the vicissitudes of Sully and Mike, two monsters who work in a factory dedicated to frighten younger children in the world of humans, because they need their cries to transform into energy for the world. We have seen

know Boo, a little girl who accidentally sneaks into his world.

We laughed, suffered and lived with his adventures, his friendship with the dangers of Randall, another monster.

Boo Then save and leave it in your world.

And then find out that the laughter of children gives even more power than the screaming.

Then Sully, the monster more, feels sad because he can not see Boo. And then Mike

reconstructs the door for Sully can attempt a reunion that you want ...

Here starts the scene.

Very slowly, and in the foreground, we see Sully nail introduced by the last piece of chip in the door.

Without any dialogue, only one variation on the image to make us understand that the reconstruction has been successful light up, off, lights.

Curiously, it is then when we open the field and see perfectly the situation of the characters. Sully

left, Mike on the right and the middle door.

The smile of satisfaction of Mike, the accompanying music, everything is preparing us for what comes next.

Mike takes a step back and let Sully is directed to the door.

We again see a close-up of the hand of Sully, how slowly turns the doorknob and it will opening.

The excitement rises.

Now is the time. Change

point of view and we stand in Boo's room.

With a cadence that borders on the infuriating, giving the time the tempo you deserve, we see how the door is opening, until we see a full front Sully.

And there is more to say.

Now is when the words are useless.

Now is when the term occupies its rightful place.

Sully opens the door and just say a word " Boo." From a corner (it's an absolute success does not show more than the monster face) we hear someone respond " kitten" and the excitement is overflowing.

And then, because there is nothing more to say, because it is not necessary to add no hugs, no joke, no interference, then the film ends.

With Sully's smile fades to black, and our imagination overflows.

The sequence of expressions (anxiety, fear, excitement, surprise and joy) is here:

I said before, no more.

An expression that is everything.

transmitting a character, and eyes that are driven-in every sense-by the ability to express. Sea

Jack Lemon and Gromit, the expression is always what counts ...

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